They're real people who go about their lives, and Artyom only catches glimpses of that. They have full, discernible conversations that give the audience the impression that they're more than NPCs. Hotspots are packed with people who actively talk over one another. These aren't barren video game towns either. In-between traditional gameplay stages that involve combat and exploration, these metro sections are an opportunity to immerse in the post-apocalypse. These metro communities are his only context for other cultures, other people. Protagonist Artyom is 20 years old, and seeing the "world" for the first time.
It's a gripping presence, but it's one that only works half as well as it does because of downtime.Ī considerable amount of gameplay is spent within these communities. Taking into consideration the dangerous mutated wildlife, humanity has no choice but to flee into the metros, building communities underground that keep mankind's culture alive as the world dies. Two decades after nuclear war devastated the face of the planet, Earth is crawling with the mysterious 'Dark Ones ' demonic beings that violently rip apart everything in sight. It may not have the same quality of life fixtures as its sequel, but Metro opens with a truly unforgettable first instalment. While Last Light is a great FPS, 2033 is far more unique. Metro 2033 is the first half of the compilation, and arguably the real main draw of the two titles. A stranger comes to town, which in turn compels a man to go on a journey.
In the case of Metro Redux, the story actually abides by both of Gardner's structural principles.
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